Lessons of The Eschatology Code

This is the start of an occasional series of posts about the lessons one can draw from specific Strange adventures.  I will dig into the material to see what we can glean from how Monte Cook Games writes its adventures that can help us write our own home games.

I will start with the Eschatology Code.  I had the pleasure of running this at Gencon last summer with several different groups.  The adventure was the "launch" scenario for system, so it seems like a good place to start.

NOTE:  I will avoid spoilers where possible.

Marjan Krebelj -- HTML Code [flickr]

13th Age Backgrounds as Skills in the Cypher System

One of the larger transitions from Dungeons and Dragons or Pathfinder to the Cypher System is the way that it handles skills.  In the former systems, skills are detailed and have a relatively narrow range of applications.  These skills are drawn from a specific list that is tailored to the experience of the game (say a high fantasy adventure game).

The Cypher System takes a different approach.  While there are lists of suggested skills, the lists are open-ended.  Instead of having a narrowly defined application (or set of applications) for the skills, the skills are defined in play.  You can invoke them when they may assist you with a particular challenge -- and the boundaries of application are up to your table.  This is a relatively open approach to skills.  For a related discussion see  Marc Plourde's discussion of skill systems on his blog Inspiration Strikes!.  The recent fantasy RPG 13th Age provides an interesting approach to skills that may inspire your own character development with The Strange or other Cypher System games.

Non-Combat Encounters in the Cypher System

The recent discussion of the role of combat in the Cypher system has touched on a subject I have been considering for awhile -- since before there was a Cypher system, really.  People have long suggested that role playing should include more than combat.  There were many complaints about DnD 4e (a game I played quite a bit, and enjoyed) that the system privileged combat over social interaction and exploration.  It was into this dialogue that the Numenera kickstarter included a great deal of language about how the game rewarded discovery rather than combat.  Did this language over-sell Numenera's non-combat options?

Investigation -- by Paul Vladuchick (flickr)

Early lessons from the Dracula Dossier -- Improvisational Campaign Design

In a previous post, I noted the exciting kickstarter campaign for the Dracula Dossier for the RPG Night's Black Agents.  This book (really three books now) provides the material needed to run a contemporary campaign to uncover a long running conspiracy connecting Dracula to the British secret service.  I will leave it to the kickstarter page to describe the setting in more detail.  For now, I want to describe some lessons of the draft document (offered to most backers at around $40 or higher pledges who get the ebooks).  Specifically, I will discuss what we can learn from the "improvisational" nature of the campaign and how it can inform Cypher System design.

Nodes Globes -- Dan Zen=(Flikr)

Varieties of "The Estate"

A central component of The Strange core campaign setting is the Estate.  I won't dwell on defining this organization as it is so prominently featured within core rule book.  Suffice it for our purposes that the Estate is a nongovernmental organization seeking to protect the Earth from potential threats from the Strange.  There are several different game experiences one could create with players as Estate agents.  After a brief mention in a previous post, I wanted to talk in more detail about the different ways you can portray the Estate that will affect how you tell stories within your Strange campaign.  Different styles of play call for different approaches to the Estate.

Paul Long -- https://www.flickr.com/photos/plong/3347909628

Adapting the Dracula Dossier

One of the elements of The Strange I consistently rave about is it adaptability.  Previously, I mentioned that I am adapting Delta Green as well as other settings (e.g. Warmachines, Primeval Thule).  A recent kickstarter has me reconsidering some of my plans.

I recommend everyone check out the kickstarter campaign for the Dracula Dossier.

Dracula's Castle -- Lisa Cyr (Flickr)

The Dracula Dossier imagines a campaign in which it is revealed that Dracula was (is?) real and the events of Bram Stoker's novel are a redacted version of a British intelligence operation to recruit him as an asset.  The kickstarter will fund an unredacted copy of Stoker's novel (for use as a prop for the game) with clues for players to follow to unravel the history of this secret program.  The game materials are designed to allow players to follow clues from the unredacted novel to a wide variety of locations and people.

I see this as a potential supplement to or replacement for my original Delta Green campaign idea.  It would be natural for Estate operatives to get caught up in the investigation of the reality behind the novel Dracula.  Maybe they receive the unredacted document from an anonymous tip.  Should they believe the document?  Is this fictional leakage "leaking back?"  Have there been strange manifestations on Earth for much longer than the Estate ever thought?

Part of what excites me is how easy it will be to adapt the campaign from its home system (Night's Black Agents -- using the Gumshoe system) to the Cypher system.  Both games are narratively focused which gives players opportunities to adapt their skills to given situations.  Instead of "spending" a skill point (as in the Gumshoe-based systems), the Cypher system has players "buy down" the difficulty of a skill roll.  The Gumshoe architecture underlying the Dracula Dossier makes it easy to adapt by simply assigning difficulties to various challenges, investigation tasks, and even the NPCs and creatures.

So, check it out.  Anyone who pledges at the level that gets the draft game information (which is already largely complete -- though still awaiting proofing, additions for stretch goals, and layout).  I think it could prove inspiring for many Strange GMs.

I may be posting more about this as I get into the details.

Strange Encounters Preview -- 13th Age Backgrounds in the Cypher System

I am back with another preview of an upcoming segment of Strange Encounters.  I will be discussing the use of 13th Age backgrounds in Cypher System games.  In 13th Age characters do not have specific skills.  Instead, they invest points in backgrounds.  For example, instead of having a "streetwise" skill, a character may have a backgrounds as a member in a thieves guild.  Characters invest in these backgrounds and can then invoke them (as if they were skills) in situations where the background is relevant to whether the player can accomplish a task.  The former guild member can invoke this background to suggest that he can case the new town to identify guild sign, find the right people to ask questions, etc.  This provides many more storytelling options (and flexibility) than an nondescript skill roll.  It also encourages players to connect their characters to the game world, build their own history, etc.

For an overview of how this works, see this blog from Pelgrane Press.

I will discuss how to adapt this to the Cypher system soon -- with a more detailed discussion to follow on this blog.

The Kray as the Hounds of Tindalos

"Through angled space they lope and slither, furtive yet unswerving in their course, aye, and unappeasable; for they are the Hunters from Beyond, concerning that which but little there be that wise men and sages of olden-time dated to set down for men less wise and prudent then they to read.  For even to know them is to have their gaunt and slinking shapes to haunt thy dreams; and even to dream of them is to, as Eibon sayeth, to lure them hither."

"The Necronomicon:  The Dee Translation" -- Lin Carter 

There are many monsters, organizations, or places in The Strange with strong Lovecraftian overtones.   This is part of my motivation for using Delta Green as an inspiration from some of my home campaign Earth.   These similarities are also useful as a way to generate story ideas centered around creatures from the Strange.  To illustrate this I will show you how to use stories of the Hounds of Tindalos as the basis for an adventure focusing on the Kray.

The Hounds of Tindalos are creatures that operate outside our dimensions.   They often hunt down people who have (intentionally or not) stepped outside the bounds of their own dimension.  This may be a traveler between dimensions or someone who simply (?) saw through the barriers of time and space to some remote location.  Once they pick up the scent of someone moving or seeing through the barriers of dimensions, they begin to hunt them down.

The applications to The Strange are clear.  Various recursions are separated from each other by oceans of the Strange itself.  This is similar to the space between dimensions in which the Hounds of Tindalos roam.  This function serves an interesting approach to using the Kray in your adventures.  Their background indicates that the Betrayer allowed the Kray into Ardeyn for some reason -- from where?  There are hints that the Kray may be native to The Strange itself.  A great deal of mystery remains in the motivation for the Kray.

Adventure Idea

"Bewarest thou, then, the of the Liou drug that dissolves all barriers of time and space and permitteth the to peer Beyond, that thou imbibest of it not so freely that though needs must fall prey to the cosmic hungers of the Hounds of Tindalos."

"The Necronomicon: The John Dee Translation."  -- Lin Carter

In this section I will illustrate how you can use stories related to the Hounds of Tindalos to write stories featuring the Kray and featuring key elements of The Strange core setting.  This adventure might fit very nicely into the beginning of The Dark Spiral campaign with a little adaptation.

The PCs learn of a person who was torn apart in bright daylight with several witnesses.  Clearly this event has gotten a lot of attention.  Some media outlets have put this in the bin of "spontaneous combustion"  -- though people knowledgable in The Strange worry that there is more to it.  Some research into the background of the victim reveals that he had been using a new street drug (Dark Spiral?  the Liao drug? or the infamous Black Lotus?).    The drug had allowed him to see into The Strange -- where he caught the notice of the Kray.  This was the equivalent of "pinging" the network -- at least for the Kray.

The players then look into who else may have caught the attention of the Kray.  All of the other people with whom the victim shared the drug have been killed -- though none so dramatically as being torn apart by invisible attackers.  Other were killed in their sleep or simply have not been seen lately (maybe they fled town when they say into The Strange) except for one.  The players have to find and then talk to this last remaining user of the drug.  This is an opportunity for a social encounter as the players seek to find out what the drug user knows, if they have encountered these creatures, what the creatures look like (when not entirely invisible), etc?  The players may even recover the remaining sample of the drug.

You may even have the Kray attack the user while the players are present (just the sort of thing that happens in similar fiction).  You should play up how the Kray flicker in-and-out of phase and move in strange non-linear bursts as they pass between dimensions/recursions.  You can scale this encounter to your group with a combination of Kray Scurriers and Drones (Strange Core pg. 276).

This can serve as the basis for a larger campaign -- who supplied the drug?  Did they want to bring the Krey to Earth?  Did this encounter alert the Krey to the existence of the players?  Are the players the next on the list for elimination?  

This little example illustrates how to tie the Kray together into a single session with an investigation, social, and combat encounter.  If you enjoy session seeds like this, please comment.  Enjoy and stay off the wacky Liao.  

September Project NPCs Part I

Building on the notion of using AIM as a model for the September Project (SP), I want to offer a few examples of NPCs built from this inspiration.  For today, I will provide a simple NPC to serve as the initial series of guards a team is likely to cross when infiltrating a SP installation.  Remember that the theme is "corporate science."  To an un-quickened (or uninformed) eye, everything should look at least close to normal -- until it doesn't.

SP Desk Staff (level 3)

Photo: Michael Coghlan

Narrative description

The office building opens into a brightly lit foyer.  Occupying the center of this foyer is a large, circular security desk.  All visitors are expected to check in -- and the prevalence of cameras suggests that bypassing the desk may garner unwanted attention.  As you approach the desk, a security agent in a nice dark suit looks up at you.  You see past his forced smile to see a blue glow deep in his eyes.  Clearly they are waiting for you to check in.

Exceptional abilities

One may expect to see 3-5 of these agents at a reception desk.  Remember to use options for group attacks if you choose.

The SP Desk Staff have been augmented to increase their ability to notice anything that may represent a threat to the facility.  While a level 3 NPC, SP Desk Staff are level 4 with regards to perception and seeing through lies or disguises.

Possibly unbeknownst to the SP Desk Staff themselves, they have also been augmented in various ways.  The first is that all that they see or hear is recorded.  This could prove quite important if the SP needs to review the tapes later to see who entered the building.  These augmentations provide a convenient redundancy in case the lobby cameras are circumvented.  The embedded cameras may also be equipped with various improvements like heat sensors.

If threatened, the SP Desk Staff reveal their other major augmentation.  Their eyes dilate (indicating that their programing is taking over) and they reach towards the threat revealing a taser (level 4 -- stunning taser) embedded in his palm.  Each SP Desk Staff has a single use taser in one hand.

GM Intrusion

Wyoming National Guard

The SP Desk Staff is concerned that no one make it past them.  They need to buy some time for the more powerful security teams to arrive.  Any SP Desk Staff near the desk can activate an alarm.  Simultaneous with the alarm, dispensers emerge from the ceiling to spray what looks like fire retardant foam covering everything (and everyone) within 30 feet of the desk.  The foam quickly hardens.  Anyone seeking to move -- whether to actually change locations or even to take an aggressive action -- must overcome a level 5 might challenge to break free of the foam.

Next up -- who shows up when the alarms sound?

An extended treatment on adapting "fronts" for Cypher games

The audio segments for Strange Encounters are necessarily limited.  Given the format and timing, there is only so much information I can provide for each segment.  Where appropriate I will expand on the explanations in the audio segments in posts like this.

For now, I wanted to expand on the use of "fronts" for Cypher System games.

CarbonNYC -- David Goehring

For a quick review, fronts are a strategy for developing adversaries for RPGs.  The keys are to create one or more groups for the players to face.  For each group, the GM must define:

• The Impulse -- the motive for the group, long-term goals, etc.
• Grim Portents -- how the world reflects the progress of the group towards its goals
• Impending Doom -- what the implications would be for failing to stop this front 

This approach to planning has a number of advantages.  The key is that it balances sandbox-style freedom for the PCs with a defined narrative arc (which GMs tend to like).  Frankly, this may be considered the illusion of a sandbox because the structure of the fronts are deterministic to an extent (they define what will happen but for the work of the PCs).  The agency for the PCs comes in choosing which front to tackle when.  

The agency involved in choosing which front to tackle is a key strength of this approach.  This is why I recommend having at least two fronts in play at any given time (in the campaign, not necessarily in any specific session).  If you only have one front, the narrative will seem to be like a railroad.  The players will more-or-less be forced to confront a specific threat -- though they may have more or less flexibility in how to confront the adversary depending on how you design the campaign.  With more than one front, the PCs will always have a choice of which front to address -- preserving their agency.  With two fronts, the structure will look a lot like a tradition plot/subplot structure for many genre television seasons.  More than three may fronts may get too complex -- but I  have never actually tried this out.

The core book for The Strange provides many possible option for fronts -- providing some of the details you will need out of the box.  If the PCs are operatives of the Estate, they may face several fronts on Earth (one could spread fronts across recursions, but I will keep it to Earth for simplicity sake in this illustration):  the September Project, the Circle of Liberty, and the OSR.  We can treat each of these as a front with its impulse defined by the basic setting material.  

The grim portents and impending doom of each front will be the key creative work for the GM.  You should start with the impending doom.  For each front, consider what the world would look like if they front had its way.  You can then walk the doom back a step to imagine a set-piece, final showdown between the PCs and the front.  

Let's take the example of the OSR -- to avoid spoiling the nature of the September Project and the Circle of Liberty from the core book.  I will make something up for the OSR that is unrelated to a the core setting -- hopefully avoiding stepping on or spoiling anyone's campaign.  My impending doom for the OSR would be a police state empowered by advanced technology brought back by recursion exploration of OSR agents (possibly in concert with another actor in a different recursion).  The OSR becomes the power-behind-the-throne for this ascendent police state armed with psychic monitoring equipment (from Atom Nocturne?), bionic agents (from Ruk?), and mechanical leviathans (from the Graveyard of the Machine God?).  Between the surveillance potential of the psychic equipment, the manpower of the bionic agents, and the siege power of the leviathans -- nothing can stand in their way.  

But the PCs won't let them get that far -- will they?

Inspired by the final confrontation in Captain America 2: The Winter Soldier (very light spoilers), I envision a final showdown between the PCs and the OSR agents.  The PCs have to fight across multiple levels -- possibly running along the back of a mechanical leviathan -- to prevent the full activation of leviathan (activation could render this a full level 10 threat -- or simply too big for stats) and the connection of the leviathan into the OSR surveillance network.  

To define the grim portents, we can walk the narrative back even further.  The collection of tools from various recursions makes the grim portents simple.  Each of the components could represent a phase of the narrative.  The first phase of the campaign is small scale and would be invisible to the PCs if they do not actively engage (possibly because they are dealing with a separate front).  In this phase, the OSR agents are traveling to Ruk and contacting a potential supplier for biological implants for their agents.  If the PCs do not interact with this front in the first phase, the front advances and the first grim portents for this front begin to emerge.  From this point, OSR agents are likely to exhibit the implants they acquired in phase 1 (conveniently increasing the level of the threats for now more advanced PCs).  The OSR may also be linked to bio-mechanical breakthroughs reported in the press (PC investigation is likely required to link the breakthroughs to the OSR).  

If the players start to investigate these breakthroughs or otherwise confront the OSR, they will find that the OSR is sending agents to Atom Nocturne.  Here the PCs could face the threat and see the results of the existing relationship with Ruk and try to prevent the importation of Atom Nocturne psychic tech (or a bathtub full of psychics -- whatever you like).  This would bring the PCs directly into the narratives front despite their attention to other matters in phase 1.  This also presents the world as a breathing, evolving world that develops independent of the PCs actions.

If the PCs thwart the OSRs plans in Atom Nocturne, you can pull the psychic surveillance from the finale.  This gives the players a sense that they have affected the outcome.  If they fail, the front proceeds.  The grim portent may be an increase in government efforts to eliminate opposition.  At first, this could be an unprecedented series of surgical strikes against terrorist leaders.  Less publicly, the government may be going after potential sources of opposition -- including the Estate itself.

The final phase is the OSR efforts in the Graveyard of the Machine God.  You will want to vary the nature of the mission.  If the visit to Atom Nocturne had a strong investigative and social feel, you will want to make the mission to the Graveyard of the Machine God a different tone.  This may be a setting where something more like the exploration of tombs or a special ops approach makes more sense.  Again, if the PCs thwart the OSR -- they determine elements missing from the final confrontation.  If the PCs prevent the recovery of the leviathan, the OSR does not have a leviathan to activate and may have to fall back on the factory activation of bio-implants as their endgame.  It is essential that each phase feel different but have narrative linkages to convince players that these are all parts of a greater plan.

And in that way, you have accidentally developed a campaign.  Of course, you want to do 2-3 of these.  That may seem like overkill.  Why develop a full OSR campaign if the players could simply focus on the September Project?  There are several reasons, actually.  First, this creates the sense of agency and dynamism as the various fronts proceed.  Second, anything you do not use can simply be saved for another time.  Maybe the players deal with the September Project but now you have plans for a long arc to follow where the players have to catch up to the now advanced plot of the OSR.  You may even have to make the Circle of Liberty climax the campaign climax, but you still have extensive notes on this OSR front for the next campaign.  

In all, I find this to be a great way to organize the development of a campaign around narrative.  This is not the sort of mechanic I have discussed before that affect die rolls and the like.  This is a macro-level development mechanic but one I think you will find very useful.  

For a more develop version of the "front" approach, you should consult the Apocalypse World RPG (warning:  elements of this RPG are decidedly NSFW) or the related Dungeon World RPG -- a fantasy counterpart.  

Please tell me what you think.  Does this inspire you?  Do you like longer treatments like this or TL;DR?  

The September Project as AIM

Many of the antagonists central to the core Strange setting represent groups rather than the weird individual creatures for which Numenera is known.  There is an opportunity in these groups to develop a closely knit theme for the groups that help you develop distinctive units within the group -- while maintaining the group theme.  To illustrate this point, I will start with the September Project.

The September Project represents a high-tech threat on Strange Earth.  They develop technologies that potentially destabilize Earth or alert planetevores to its presence (tasty, tasty presence).  Based on this place within Strange Earth, the distinctive flavor for the September Project is corporate science.  This builds on the concern people have with faceless scientists performing unethical or dangerous research.  Your goal in developing September Project encounters would be to populate the scene with villains that fit this theme.  One possible source of inspiration stands out:  AIM (Advanced Idea Mechanics).

by Ryan Harris (ryandestroys.tumblr.com)

In the Marvel comic universe, AIM fills a similar story niche as a villainous corporate science organization.  Most famous for their "bee-hive" helmets, AIM creates dangerous technology -- often for sale to the highest bidder.  Some hints about how to build the September Project come from a careful consideration of what makes AIM distinctive.  One of the elements is the setting in which AIM operates -- high tech labs.  You don't see many beehive helmets wandering down the streets of the Marvel universe.  Instead, this organization is often squirreled away in its labs.  Although, the players may seek to disrupt their efforts to deliver, demonstrate, or see their products.  This means that AIM stories -- and, if you choose, the September Project -- often take place within the specific environment of a high tech lab.

The image also emphasizes the sense that the AIM workers are uniform.  Each of the members is well-equipped but uniformly dressed.  This emphasizes the corporate element of the organization -- as distinct from, say, a lone mad scientist.  This also fits with the theme of the September Project.

AIM also possess a strict hierarchy.  Individual scientists work within teams.  The teams are connected to a clear hierarchy -- leading to the "Scientist Supreme."  Over the years, there have been others structures of their leadership bit the specifics are not important to AIM as an inspiration for the September Project.

Of course, you can ignore the bee-hive look or the giant head in a floating chair if you like :).

A Strange Encounter Preview -- Dungeon World "Fronts" Adapted to the Cypher System

I am working on several potential Strange Encounter segments focusing on mechanics you might want to borrow from other systems.  This mechanic can involve a detailed discussion -- and is part of the motivation to supplement the GM Intrusion segments with a blog.  While I work on a (much) fuller treatment, I wanted to give you a hint of the topic with this excellent blog from Sly Flourish on adapting the "front" approach to planning in Dungeons and Dragons.

As always, initial reactions and comments are appreciated.  This is opportunity to shape the coverage as I develop the segment and more detailed blog post.  Does anyone have experience with this mechanic/approach?

Delta Green as a basis of "Base Earth"

My first decision is whether to go with the base description of Earth from the core book -- or to modify it.  I have decided to modify it in various ways to allow me to tell stories in the dark conspiracy genre I would like to play with.  Specifically, I want to emphasize these specific aspects of my Strange Earth

• No exactly real physics -- a little magic and a little sci-fi tech
• Government and super-government conspiracies
• The necessity of players to cover for their actions -- not just running around guns blazing
• But, not spending all of the time talking about cover identities
• And, most importantly, a setting which allows me to have elements from other recursion

Physics:  

I will probably write on this more at a different time but I have some misgivings about how the core book treats Earth physics.  The game refers to Earth as "standard physics" but then includes a lot of pretty high tech elements that border on weird science.  The launch scenario "Eschatology Code" has weird tech operated by enemy agents, for example.  I like their weird element and I will embrace it in my core Earth -- but I recognize this contradicts a by-the-book interpretation of "standard physics."  My flexibility with physics will let me be looser with invasions from other recursions, etc.

Conspiracy elements:  

The core setting includes some fodder for conspiracy stories.  Most notably, the OSR (Office of Strategic Recursion) provides some opportunity to look at government conspiracies from the inside (with players as OSR members) or the outside (with OSR agents as antagonists).  I am borrowing from Delta Green because I want to take this even further and link it more specifically to existing government organizations.  The history of Delta Green leans heavily on he actual history of espionage -- which I anticipate will provide nice background for my stories.

Cover identities: 

 This is something I am still struggling with.  The core Strange setting seems to allow Estate operatives to pretend to have an official sanction a little too easily.  I can see the reasoning here.  Having players constantly having to create cover identities, start most encounters with a deception check, etc. could get tedious.  As it stands, GMs could pretty much hand wave the need for credentials to get access to locations, carry heavy weapons, etc.  When they want to create an encounter where the credentials are questions, it still fits within the framework of an Estate campaign.  My background in government administration (especially homeland security) makes want to ground it a little more in actual credentialing, etc.  This is why I am leaning towards a Delta Green approach where players are members of actual federal agencies with understood credentials and limits ("Why is an EPA official carrying a machine gun?").  I am curious to hear how other people react to the question of credentials for Estate operatives in the core game.

What do you think?  I would love to see more discussion of how people are handling their own Strange campaigns.  

In the future I will add stats and reskins for my Delta Green inspired version of the core Earth setting for The Strange.

Starting a New Strange Campaign

What excited me most about the early information about The Strange was the prospect for mixing various genres into campaigns that engage the very nature of storytelling and the translation of fundamental concepts across genres.  Most importantly, it lets me play with stories about the confrontation of ideas (sometimes creatures, sometimes artifacts, etc.) between different genres.

This leaves me needing to design a campaign of my own to set up the sorts of confrontations I want to explore with my players.  My plan is to adapt a few other game settings to define the core recursions for my campaign.

1. Primeval Thule -- a low fantasy setting inspired by Robert E. Howard and other pulp fantasy traditions (more than, say, Tolkien or contemporary Forgotten Realms high fantasy)
2. Warmachine -- a steampunk inspired fantasy setting with large mecha-like machines warring with bred monstrosities -- and each other
3. Delta Green -- my version of Earth will include conspiracy and Lovecraftian Mythos elements adapted from the Delta Green setting for the Call of Cthulhu game (and, soon to be, its own game system)

I will start the discussion soon on how (and why) I plan to adapt elements of these settings as recursions (or as part of the core Earth -- in the case of Delta Green).

Welcome to Strange Encounters

Welcome to the Strange Encounters blog.  Following up on my segments on the GM Intrusions podcast, I will use this space to provide expanded coverage of The Strange and other Cypher System games.  I will post on the following subjects:

1. Discussions of Cypher Systems mechanics, house rules, etc.
2. Adaptation of mechanics from other RPGs to Cypher System games
3. Conversions of elements (monsters, classes, etc.) from other game systems to Cypher Systems games -- mostly The Strange
4. Discussions of elements of the core setting of The Strange
5. The development of my own Strange campaign, and
6. General inspirations for your own game of The Strange

I will be back soon with more actual content....